29 December 2011

Music for Sunday 1 January 2012

It's been a couple of weeks since I put the regular Music for Sunday entry up here.  Last week got missed out because, well most people must know how to schedule Christmas carols, and the week was frenetic enough to push the weekly round of updating these pages down the list of priorities.

This week there is a variety of choices as to what you might do.  In the Catholic calendar, it's the Solemnity of Mary, Mother of the Lord, which is the traditional observance for New Year's Day.  You can also keep the feast of the Circumcision and Naming of Jesus, and the Australian (Anglican) Lectionary allows Epiphany to be anticipated this week.  Alternatively, if you just want a quiet life, you can keep the Holy Family, which is what we're doing in the parish this week.

Readings can be found here, and the psalm setting will be taken from Respond & Acclaim (of which, more anon).

The service setting will be Philip Mathias's Christ Church Mass (Together in Song, 57), along with a versified setting of the Nicene Creed which will be sung to Austria.

Hymns are as follows:

Introit: The north wind is tossing the leaves [322]
Sequence: Let heaven and earth combine [305]
Offertory: O Christ the same, throughout our story's pages
Communion: The Word became flesh [chant in the style of Jacques Berthier]

The church cleaners from....Bethlehem

This happens often, apparently...

26 December 2011

We nearly had a white Christmas



It was after lunch on Christmas day when the heavens opened and the rain came thundering down.

Then it turned to hail.

The sound was incredible.

Our lawn gained an instant covering of icy sleet.


...and while the hailstones weren't as large here as other parts of the city, they were still pretty big.


There was quite a collection of the hail along our back fence.



When I ventured forth to see what had been happening in the street, I discovered the limitations of the drainage in the area.

18 December 2011

The Red Cross makes a better point than Chris Berg

Today's Age brings another installment of the confused ramblings of that shining son of the Institute for Public Affairs, the ever-green wit of Chris Berg.

Today he reckons that the Red Cross has made a serious blunder in denouncing virtual human-rights abuses in video games.  Apparently, they have virtually lost the plot, as some wag in the sub-editorial pool at Fairfax put it.

As with so many of his columns, Berg takes aim at a straw man.  He never really attempts to represent the view of the people he's usually denouncing, so it might be helpful to know exactly what the Red Cross said before have a deeper look at Berg's effort.  This is a quote from the Daily Bulletin of the recent Red Cross International Conference in Geneva, Switzerland:

While the Movement works vigorously to promote international humanitarian law (IHL) worldwide, there is also an audience of approximately 600 million gamers who may be virtually violating IHL. Exactly how video games influence individuals is a hotly debated topic, but for the first time, Movement partners discussed our role and responsibility to take action against violations of IHL in video games. In a side event, participants were asked: “what should we do, and what is the most effective method?” While National Societies shared their experiences and opinions, there is clearly no simple answer.
There is, however, an overall consensus and motivation to take action.
(The bold text is my emphasis.)

Anyone who works with young people from an aspirational or middle-class background will know just how deeply the development of smart technology has permeated their lives, in ways that were unimaginable even five years ago.  This is such an obvious point that it would clearly be churlish for the reasonable reader to expect Berg to take this into account.

Berg's starting point is a gleeful pounce on the apparent inconsistency of a later statement that clarified the previous one, pointing out that violations of humanitarian law happen primarily in real life.  Fair enough.  Real-world law must attend to real-world situations.  But to Berg, "the very fact that the Red Cross decided to investigate video games is deeply, almost incomprehensibly, absurd. It is about as sensible as objecting to slasher movies because murder is against the law."

I find it interesting that Berg takes movies as his primary frame of reference for discussing video games.  I think this demonstrates a fundamental lack of insight into how video games are constructed, and how they are designed to work.  Movies tell us a story, sometimes very compellingly, but the story ends when the credits roll.  Yes, some people might have gone on to commit atrocities following their first or second experience with A Clockwork Orange, but these seem to have mysteriously gone unreported.  (Perhaps people realized that the movie, like the book, was entirely fictional.)  A video game is an immersive experience, where you enter into an open-ended story.  Berg rightly observes that many gamers "will never enter a combat zone," but the question he poses (does it really merit the attention of the Red Cross?) is entirely misguided.  Video games may be fictional, but they enter into the player's consciousness in ways that a movie never could.

And here is where Berg's straw man enters.  Attempts to engage in serious discussion about the way video games normalize abuses of human rights amount to nothing more than a moral hysteria:
It was this sort of moral activism which gave us the famous film codes in the mid-20th century. These insisted married couples could not be seen in the same bed, and no evil could be depicted as ''attractive'' or ''alluring''.
And in our century, the same passion motivates the public health activists trying to ban cigarettes in movies, anti-consumerists denouncing product placement in television shows, and religious groups picketing Harry Potter book launches. Sometimes they want the offending material banned. Other times they just want to ''work with'' the transgressing filmmakers and artists. Either way, moralists believe that society should be engineered to make it more moral, more ethical, more clean. And they appear to have infiltrated the otherwise clear-headed and respected Red Cross.

I think Chris Berg is fortunate to have lived in a world where the worst thing he has to worry about are those pesky 'elfin safety' gremlins.  For myself, having had the experience of working with the children of refugee families, I see absolutely no relationship or equivalence between what the Red Cross was trying to discuss and the sorts of ignorant contortions Mr Berg airs in his column.

The fact is that war-based video games are a world unto themselves in ways that movies are not.  They can be a strong influence in building up a sense of social isolation, and create an atmosphere that normalizes behaviours that go beyond the merely anti-social.  It is well known that war games have become part of the recruitment strategy of the United States military.  In fact they have gone much further: they are now actively part of how America's wars are conducted.  The advent of robotics has brought the techniques of gaming into the very real world of war.  If you doubt me, try reading or listening to a recent presentation by P.W. Singer on The Philosopher's Zone, The Morality of Robo-Wars.  Wikileaks published a video of a drone raid on a village in Afghanistan a couple of years ago.  Many of those who saw it were horrified at the actions in the video, and the commentary of those controlling the drone flight.  What many of us failed to realize at the time was that this is not so much the future of war as its baleful, hollow present.  The people flying these machines learned their skills long before the military recruited them.  Chris Berg would do well to ask how this might be.

The Red Cross rightly points out that there is no clear answer to how video games affect individual behaviour.  The fact that a discussion is there to be had is indicative that video games do have effects on behaviour. Chris Berg is wrong to equate this with attempts to censor passive entertainments, such as movies and television.  These simply don't relate to what goes on in a video game.

To substantiate his point, Berg reels off a list of examples where various aspects of the rules of war are put in conflict with one another, based on a report from one of the Red Cross committees, titled Playing by the Rules?  I think this serves to demonstrate the sheer complexity of how people behave in the battlefield, an aspect of war that is not evident in video games.  Berg, ever the simplifier in search of an easy target, sees things differently:
... the elimination of war crimes will not be furthered one bit by changing video game content. No person has ever believed that Castle Wolfenstein is a guide to just or unjust behaviour. Yet the Red Cross still solemnly claimed that ''600 million gamers'' may be ''virtually violating'' international human rights law. If this is not an attempt to stoke a moral panic, then nothing deserves that title.

What, precisely, does this prove, Mr Berg?

A recent episode of Dexter places a game designer in the Miami homicide unit, where he is seeking to base a new video game on famous serial killer cases.  His purpose in seeking the appointment was to observe Dexter Morgan, and discover more about how he generates his insights into the cases the department deals with.  When he shows Dexter the game he has been designing, the response is instant dismissal: how can you know what it's like to be the killer?  This is totally unrealistic, not to say immoral.  Heavy stuff coming from the person who is secretly the serial killer featured in one of the available narratives of the game.

The Red Cross exists because there is a cost to war, and this cost will only escalate with the increased techologization of war.  This cost is increasingly borne by civilian populations, whether it be through living in the firing line or reaping the consequences of contaminated water supplies, lack of food, and personal crimes such as theft and rape.  War-based video games are part of a potent mixture promoting an attitude that is indifferent to this cost.

So, here the question I would put to Chris Berg: why shouldn't the Red Cross be concerned about the content of video games in light of their concern with humanitarian law?

I do hope to be a fellow of the IPA one day, just so that discussion can be had.

14 December 2011

Music for Sunday 18 December

Readings can be found here, and the psalm will be sung using this setting.

The service setting will be Michael Dudman's Parish Eucharist (Together in Song, 756), along with a troped version of the Kyrie Cum Jubilo.

There are some significant differences between St George's and St Mary's, and what will be happening at All Saints.  This means there are two slightly different hymn lists for the week.

Hymns at St George's and St Mary's will be as follows:

Introit: [Proper chant]
Sequence: Of the Father's heart begotten [290]
Offertory: Ye watchers and ye holy ones [150]
Communion: O come, O come, Emmanuel [265]

In addition to these, the creed will be sung in a versified form that can be found here (scroll down to the list of authorized affirmations, and it's the third one).

All Saints has a combined service with the Sudanese congregation, which will include a large baptism.  Hymns for that show are as follows:

Introit: [Proper chant]
Sequence: Of the Father's heart begotten [290]
Baptism: Lord Jesus, once a child [490]
Offertory: [Music provided by the Sudanese choir]

Communion: O come, O come, Emmanuel [265]

Christmas services are looming very large right now.  More information on those soon.

10 December 2011

Today's the day!

See you at the concert today.



What do you do...?

What do you do when the piano is too bright, so much so that even playing softly with the lid shut booms over the singers?

Dead easy.  Find the nearest pile of fabric hangings and put a nice layer inside the soundboard.  Make sure nothing touches the strings, otherwise you'll have a very dry experience.

If you wonder what it might be like to play a piano prepared thus, come along and hear:



07 December 2011

What he said

Over at the University Blog Ferdinand von Prondzynski has sallied forth into that swamp otherwise known as footballers' pay.  Here's a taste:
Football is becoming crazy, and we are setting up conditions in which over-hyped prima donnas (even when talented, as Tevez is) destroy themselves and others around them while burning an amount of money that they do not, in any objective sense, actually earn. This in turn feeds from an over-priced system of television rights and season tickets, and it is turning a people’s sport into something that is as much soap opera as it is football.

Here in the home state of the AFL code, I couldn't agree more.  Having watched various personality splashes over the years -- think elite footballers mixing with drug barons, others playing in murky territory with young ladies, and so on -- I wonder why anybody watches football for the game these days.

There's more, so go and read the rest of it here.

Music for Sunday 11 December 2011

Readings for the week can be found here.  The psalm will be sung to Anglican chant.

The Gospel reading for the week forms the basis for one of Orlando Gibbons's most moving anthems, This is the Record of John.


The service setting will be Michael Dudman's Parish Eucharist (Together in Song, 756), with additions from the Missa Cum Jubilo for the penitential litany.

Hymns are as follows:

Introit: [Proper chant]
Sequence: Long ago prophets knew [283]
Offertory: Lo! he comes with clouds descending [273]
Communion: There's a light upon the mountains [276]

30 November 2011

Music for Sunday 4 December

Readings can be found here, and the psalm setting is listed below.

The service music will be Michael Dudman's Parish Eucharist, with a responsorial Kyrie based on a plainchant setting.

Hymns are as follows:

Introit: [proper entrance antiphon, sung to a tone]
Psalm: Show us your mercy, O Lord [Psalm 85, setting at TIS 45]
Sequence: On Jordan's bank the Baptist's cry [270]
Offertory: Hark the glad sound! the Saviour comes [269]
Communion: We have a gospel to proclaim [245]

23 November 2011

Another item from the vault

Here is a little experiment. I've been thinking about how to present some of my organ tracks with visual stuff, if only to break the monotony of having upload mp3s to Box, and then wrestling with embedding them here (it's become easier of late, for reasons I don't know). I thought I'd have a go at making a little slideshow to accompany a short piece by an ancestor of mine, John Lugge.

Lugge was organist at Exeter Cathedral in the early-seventeenth century. His family was accused of recusancy, which made his position as a Vicar Choral awkward. Lugge's major claim to fame is that he wrote some of the earliest English music for an organ with two manuals.

Nowadays, we regard two manuals as the most basic aspect of the organ.  Lugge's music was groundbreaking because it exploited a technological change in the disposition of the instrument. The technological change was the positioning of the keys for two divisions of the organ in the one keydesk -- previously one played the Great organ from a dedicated keyboard, and then span around to play on the Chair (or Choir) organ, facing down into the chancel. This was one of the items in the recital I played at Christ Church, Brunswick, in August 2005. The vicar and people were good about allowing the event to happen, and it was a good afternoon of music-making.

I've gathered a collection of images from Exeter, and added a small group of photos from Christ Church at the end.

Enjoy!


Music for Sunday 27 November 2011

Advent seems to come around faster every year.  On Sunday we start the new lectionary cycle for the coming year, turning from Matthew to Mark.


Readings for the week can be found here, and the psalm will be sung to this setting.

Service music will be a bit different to the normal diet for the Advent season. The Kyrie will be troped, using the Kyrie Cum Jubilo as a responsory.  The creed will be sung in a versified form.  The intercessions and Agnus Dei will be sung using a setting from Taize.  The remainder will be sung to Michael Dudman's Parish Eucharist (Together in Song, 756).

Just to add to the feeling of things being completely different, this Sunday will see the Sudanese congregation in the parish joining with the 10.30am regulars.  They will lend their voices at the offertory, and again at the close of the service.

Hymns are as follows:

Introit: Unto you have I lifted up my soul [Proper introit sung to a tone]
Sequence: Mine eyes have seen the glory [315]
Offertory: Lord Jesus, when you came to earth [Paul Wigmore; tune O Waly Waly]
[Offertory hymn at St George's and St Mary's only; music will be provided by the Sudanese congregation at All Saints]
Communion: Not the powerful, not the privileged [288]

22 November 2011

From the vault

While I'm on the roll of sharing things from a little while ago, one of the other rehearsal tapes I found while moving house was the one from my final year recital in 2002.

Since it is St Cecilia's day today, perhaps it is pertinent to write a little about the power of music.  I can't really offer a great metaphysical treatise today, so perhaps a little story about the circumstances of what I'm sharing today will have to do.

I remember getting to the end of third year in 2001 and wondering why I was even in the music course.  I think the middle years of a degree do tend to be like this: removed from the experience of a discipline being exciting and life-enhancing, but not yet near feeling confident enough to grasp the nettle.  It had been a pretty dreadful year, capped off by the instrument at Trinity College expiring halfway through my examination recital.  There was a side of me that was very ready to throw it in and finish the arts degree I'd deferred to go and study music in the first place.  It all felt wrong, wrong, just plain wrong.

The rescue operation came in fourth year.  I started preparing for the examination recital with a determination to do things that would retain my interest, stretch my capacities, and -- hopefully -- spook the examiners.  The academic side of the year was pretty undistinguished, but I really managed to pull my playing together.

I chose an ambitious programme, and much of the recorded playing still stacks up.  Here's a solid dose of it: Prelude et Fugue sur le Nom d'Alain -- Maurice Durufle.

19 November 2011

Organ Concert at Christ Church, Brunswick, 7 August 2005


My first post as a fully-fledged organist was at Christ Church, Brunswick, where I worked from 2004 until mid-2008.
Christ Church is a unique place on many accounts: the building is highly unusual, the liturgy quite distinctive, and the organ groundbreaking.  This parish was the first in Melbourne to install an instrument built purely along classical-revival lines.  It is an excellent example of the work of Roger Pogson in his prime.

As young directors of music are wont to do, I put on a recital about eighteen months after I arrived.  Like most studious organists, I made a recording of the event for personal reference.  This recording only resurfaced during my recent removal.

It is interesting to listen to tapes like this at a distance of years.  My approach to performance has evolved and matured quite considerably, and you would expect that a recording a few years old would contain lots of things that I would now prefer to forget.

Strangely, that's not really how I see this recording.  There are a good number of things that were quite well-done, even if it's not exactly how I'd go about it right now.  There are a few pieces that I was performing publicly for the first time, so my ideas have moved on.  But most of it is basically good playing, which is the critical point for me.  There are many small things that make one blanch, but the totality is still quite acceptable.

Over the next little while I'll post items from the programme.  There was a lot of music, and the audience certainly heard a lot of colour from the instrument.

Here is the first item, Prelude & "St Anne" Fugue in E-flat [BWV 552] -- J.S. Bach.  To mix things up, I invited the congregation (woops! Audience) to sing the hymn tune on which fugue is based.


16 November 2011

The bookshelf

My reading list disappeared with the sidebars, and there have been a few emails wondering if I could find another way of sharing what I've been reading.

The sidebar was a continuation of the Endnote habit, whereby I kept bibliographic details of all books related to my research.  This meant that I could be certain of having everything in order when it came time to assemble footnotes while writing.

My reading habits are fairly consistent, in that I'm usually tackling two or three things at once.  So it's usual for me to have one big book going, with a steady stream of smaller books.

The big book I've been reading slowing for the last four months is Composing the Citizen (Jann Pasler).  Only one chapter left to go, but it's going to have to wait until a completely clear day comes up, meaning it will be done in early-December.

The stream of smaller books is as follows:

Orientalism, Masquerade and Mozart's Turkish Music (RMA Monographs, 9) -- Matthew Head
The Master: the Life and Work of Edward H. Sugden -- Renate Howe (ed.)
Marxism and Literary Criticism -- Terry Eagleton
The Hope of Things to Come -- Mark Chapman (ed.)
Space for Grace: Creating Inclusive Churches -- Giles Goddard
Realizations: Newman's Own Selection of his Sermons -- J.H. Newman (ed. V.F. Blehl)
The Discourse of Musicology -- Giles Hooper
Poems -- Francis Thompson
Poems in the Porch -- John Betjeman
If you Meet George Herbert on the Road, Kill Him -- Justin Lewis-Anthony
Come Celebrate: Contemporary Hymns -- Michael Saward (ed.)
Newman's Unquiet Grave: the Reluctant Saint -- John Cornwell
Collected Poems -- Philip Larkin
An Equal Music -- Vikram Seth
Smut -- Alan Bennett

The poster


Music for Sunday 20 November 2011

Readings can be found here, and the psalm will be sung to a home-made setting.  I recently did a survey of responsorial psalms composed over the last seven or eight years, and realized that I probably have the better part of a complete three-year cycle.

The setting will be Philip Mathias's Christ Church Mass (Together in Song, 757), with the Kyrie Cum Jubilo and a setting of the Te Deum from Taize.

Hymns as follows:

Introit: Crown him with many crowns [228]
Sequence: All go to God when they are sorely placed [240]
Offertory: There's a spirit in the air [414, tune 219 ii]
Communion: Come, my way, my truth, my life [552]

14 November 2011

Grey days

It's getting to that time of the year when things are winding down.  In Melbourne, the slide into the summer holidays can be felt from the time between Cup Day and Remembrance Day.  The weather has turned, with daytime temperatures now reliably in the twenties.

The paradox of the slide into the holidays is that everything becomes more frenetic.  Social gatherings take on a determined air that they would not have had in mid-October.  The first Christmas events have taken place, while the festive bunting in many shops is beginning to look like a permanent fixture, having been strung up in late-September.  Various organizations I work for are beginning to look towards the final events for the year, with the beginning of discussions about how much leave to take in January.  The need to get business completed for the year drives the work-day just that bit harder.

I've been inhabiting a slightly liminal space for the last twelve months or so.  The fate of post-doctoral studies has rested on the assessment of grant applications, various articles and book chapters have yet to appear, all topped off by moving house a couple of months ago.  There have been other adjustments, like finally getting used to life without feline conversation, and starting back at weight training after a break.

Just recently, some doors that had been ajar have blown shut.  A job application for which I had some hopes of at least getting an interview was shunted into the never-never by yet another machine-generated email, many long months after the application went in.  Just today I finally received notification that my application for a research grant didn't make it through.

I've spent the last two years working in areas that make use of my abilities, but can be difficult to connect well with my gifts and callings.  I will never know whether the job or the research application would have provided scope to reconcile this gap in the immediate term, although one can always apply again for a grant, and another job is bound to come up sometime.

In the meantime it's back to plugging away at being a triangular peg in a square hole, hoping against hope that it will all fit together in the end.

09 November 2011

Why do we tax books?

The perennial brain-storm that is our book industry is back in the news, with the Book Industry Strategy Group telling the government to scrap the GST on books bought in Australia.  Either that, or levy it on all books purchased through the internet.

I think our regime of applying GST on books is wrong-headed.  In the UK, the VAT is not applied to books.  The BISG making this move looks like seeking concessions for a lack of foresight in their industry.  The rather spectacular collapse of Borders earlier in the year points to a cluster of issues the peak bodies have yet to deal with.  The age of the local bookshop is truly up; those that remain will be the cultural institutions (like Readings), where value-adding is a key attraction to customers.  For those of us wanting to get the latest Stephen King novel without hassles, the internet has well-and-truly become the first port of call.

Changes to the tax regime should not be made simply to support industries that have failed to keep up with the times.  I can see a time looming when second-hand books will be the backbone of the real-world market, with a likely decrease in print runs for new titles.  A decade from now will probably see the majority of readers carrying libraries around on an electronic device in much the way that people no longer accumulate CDs in order to listen to music.  Micro-purchasing for books is already with us, along with public domain downloads of out of copyright material, and the BISG have yet to seriously grapple with what this might mean for their members.  Instead, they are arguing about terrestrial trade boundaries.

Upcoming concert

I'll be accompanying a song recital in December.  The program includes vocal music by Benjamin Britten, Ralph Vaughan Williams, and Franz Schubert.  It will be a very rich feast.


SWEET & LOW

A SUMMERTIME CONCERT PROGRAM
Mezzo Soprano: Karen van Spall
Baritone: Joseph Kinsela
Accompanist: Kieran Crichton

3.00pm, Sunday 11 December 2011.
St Stephen's Anglican Church
360 Church Street, Richmond.

Music for Sunday 13 November

Back to normal after all the togetherness of last week.

Well, sort of.  I've been busy redesigning the pew sheet so that we can rationalise the amount of paper we hand out at the door.  If you come along this week, all you will receive is a pew sheet and a hymn book.  With any luck, it'll make life simpler for all.

Readings for the week can be found here, and the psalm will be sung to this setting.

The setting will be Philip Matthias's Christ Church Mass (Together in Song, 757).  The Kyrie will be sung to a simplified version of the Missa Cum Jubilo.

Hymns are as follows:

Introit: This day God gives me [642, tune 156]
Sequence: Take my life, and let it be [599 ii]
Offertory: O God of every nation [621, tune 595]
Communion: Wait for the Lord [Taize]

02 November 2011

Music for All Saints Sunday, 6 November 2011

This week the Parish will be keeping the feast of title of one of our centres, All Saints, Preston.

Readings for the Mass can be found here, and the psalm will be sung to this setting.

The service setting will be as follows:

Kyrie Cum Jubilo
Gloria & Sanctus: Christ Church Mass (Together in Song, 757) 
Agnus Dei: Taize

 I've long adored Durufle's Missa Cum Jubilo, so it's nice to be able to introduce a simplified version of the Kyrie from the plainchant setting Durufle used.  Here's how Durufle's version sounds.


During the intercessions there will be an anthem for the commemoration of the faithful departed: Pie Jesu -- Gabriel Faure


Because this is a high day, the choir will be singing the Offertory and Communion chants from the Simple English Propers.  It's been interesting to see how people have picked these up on 5-minute nibbles over the last three weeks.

Hymns are as follows.

Procession: For all the saints [455]
Sequence: Rejoice in God's saints, today and all days [470]
Offertory: [music provided by the Sudanese congregation]
Thanksgiving: Jerusalem the Golden

01 November 2011

Totally [sic]

A real estate agent wrote the following property description.  Everything about it is so monumentally bad that it really demanded to be shared, so hear it iz.
This very carictaristic brick veneer home with a touch of new and old that has so much to offer consisting of 3 very large bedrooms x2 with wardropes walk in to a hallway with high ceilings that lads you into very open spacious lounge room with double doors leading into dining area. Walk into the kitchen and it has a character of its own also offering gas heating, wall mounted cooling unit, separate laundry, 2 large sheds double garage and then walk outside to under cover huge entertaining area in the heart of town close to local shops, schools and trainsport.

Ca Ira


Pity the poor Dean of St Paul's Cathedral, London.  Having taken and persisted with a silly position over the camp set up in the Cathedral grounds, he now finds his position 'untenable' and has resigned.

Here's a little musical tribute to the out-going Dean.

27 October 2011

Alternative lines

"After considerable discussion, the Dean and Chapter of St Paul's have decided to close the Cathedral outside regular times of worship in sympathy with the cause of the Occupy camp in Paternoster Square.  We believe the issues raised through this protest warrant serious national attention, and will be rostering members of the Chapter to sit with the protesters through the day and night as an act of solidarity and support.  Many volunteers and members of the Cathedral staff have expressed their willingness to join in this act of solidarity.

The decision to close the Cathedral is a serious one, which Chapter takes with a heavy heart.  Closure of a cathedral is regrettable under all but the most extreme circumstances, such as the day in 1940 when a time-delayed bomb was dropped in the Cathedral by the German Luftwaffe.  The devastation to human lives wrought by recent crises is of such a magnitude that Chapter is unanimous in taking this decision.

The Chapter has received strong advice about compliance concerns in the camp.  Naturally, St Paul's will do all it can to assist the Occupy coordinators to fulfill their obligations in this regard.

The Dean and Chapter of St Paul's invites all who remain concerned about the endemic problems in international finance to support the Occupy initiative by visiting the camp.  We look forward to meeting you there."

26 October 2011

Music for Sunday 30 November

Readings for the week can be found here, and the psalm will be sung to this setting.

The service setting will be Philip Mathias's Christ Church Mass (Together in Song, 757).  Hymns as follows:

Introit: God of mercy, God of grace [452]
Sequence: O day of God, draw near [616, tune: Southwell 546]
Offertory: All my hope on God is founded [560 i]
Communion: Behold the Lamb of God [705]

24 October 2011

Change of look

Google seems to be having a tantrum about blog templates, which means that these pages haven't been loading properly over the last week.  It's probably connected up with the Google+ upgrades, which have been causing upheavals on Google Reader, Google Calendars, and various other applications that have to interact each other.

One of the worrying things about the template problems over the last few days is that editing tools have been appearing on all blogs using the simple format.  Of course one must be logged in to actually use the tools, but it's a little bit perplexing to have them appearing everywhere all the same.

I've changed the template here for the time being so that the content appears more-or-less as it should.  Menus, links, lists, and other things have been taken out for now.  Pages for music and research can still be accessed from the bar in the header.

It's been a while since the blog had a makeover, so perhaps the technical glitch isn't such a bad thing.

19 October 2011

Music for Sunday 23 October

Readings for this week can be found here, and the psalm will be sung to this setting.

The setting will be Philip Mathias's Christ Church Mass (Together in Song, 757). Hymns are as follows:

Introit: Come down, O Love divine [398]
Sequence: Love divine, all loves excelling [217]
Offertory: Morning glory, starlit sky [174]
Communion: Bless the Lord, my soul [706]

13 October 2011

Organ event on Sunday 16 October

The annual Historic Organs of Richmond Hill crawl is coming up on Sunday.  This is an opportunity for you to hear some interesting music played on some fascinating instruments at St Stephen's Anglican Church, St Ignatius Catholic Church, and Richmond Uniting Church, all located closely together on the top of Richmond hill.

I've been asked to provide a programme for St Stephen's.  If you happen to be in the area, it is the first of three short recitals showcasing the instruments, and will be starting at 3.00pm before the crowd moves next door to St Ignatius.  Each programme is roughly 30min in duration, and you get to take in the magnificent surrounds while hearing some interesting music.

Admission is free, although donations of 440gram tins of food or cash donations towards the Richmond Hill Churches Food Centre would be highly appreciated.

Afternoon tea will be served following the last recital at Richmond Uniting Church.


My programme is as follows:

Children's March "Over the Hills and Far Away" -- Percy Grainger (1882-1961)

Suite 1er Ton from Troisieme Livre de Pieces d'Orgue (1756) -- Michel Corrette (1797-95)
Pleins Jeux
Duo
Trio
Basse de Trompette
Musette
Grands Jeux

Variations on a Theme of Robert Schumann -- Edmund T. Chipp (1823-86)

Introduktion und Passacaglia -- Max Reger (1873-1916)

Like water dripping on a stone

I don't watch my blog traffic stats very closely, but there was a little milestone just lately.

Thanks to someone who found these pages via some weird Google search, over 10,000 people have visited here.

11 October 2011

Music for Sunday 16 October

Readings for the week can be found here, and the psalm will be sung to this setting.

The service setting will be Philip Matthias's Christ Church Mass (Together in Song, 757), with the Kyrie Orbis Factor to spice things up.

Hymns are as follows.

Introit: Jesus calls us! O'er the tumult [589, tune 272]
Sequence: Take my life, and let it be [599 ii]
Offertory: God is love, let heav'n adore him [153]
Communion: Behold the Lamb of God [705]

10 October 2011

Why do they persist?

The government is to present legislation to deal with its recent contretemps with the High Court.  I wonder why people around the Prime Minister don't see this as part of the cause for poor opinion polling.

The House of Representatives may be doing the collective humanity of this country a service by giving the bill the thumbs-down.  The political integrity of the Labour Party is another matter...

Bike trails

As the weather improves, I tend to spend more time on the bicycle.

Not long ago, my main cycling routes took me down to the Main Yarra Trail and either west to the city or east to places further afield.  South Yarra lacks a critical bit of cycling infrastructure, however; there really needs to be a resolution about sharing the footpath along Punt Road.  Having only ever ventured onto the tarmac when the only other traffic was one car on the far side of a distant intersection, my feelings about riding on that particular road remain fixed: only a fool would do it.

Coming from the far side of the Preston Reservoirs is a different matter.  There are a couple of really well-built and properly maintained trails that serve brilliantly for off-road bike commuting.  St George's Road is a dream, although getting there is a bit of a hassle: one has to pass through one of Melbourne's most dysfunctional intersections at the railway crossing in Reservoir.

Strangely, my commute times for getting to work don't really change much according to the medium.  Catching the train takes around 50 minutes, riding the bike is around 45 minutes, and taking the car in morning traffic can be anything between 30 minutes to an hour.

05 October 2011

Music for Sunday 9 October

Readings can be found here, and the psalm will be sung from a setting in the parish hymn book.

The setting will be Philip Mathias's Christ Church Mass (Together in Song, 757) with the Kyrie from John Merbecke.

Hymns are as follows:

Introit: Sing, all creation, sing to God in gladness [61]
Gradual: My shepherd is the Lord [11]
Sequence: I, the Lord of sea and sky [658]
Offertory: Jerusalem the golden
Communion: Shout for joy! [545]

There will be an anthem at communion: Blest is he who thinks on Him -- J.S. Bach

29 September 2011

And angels too

Happy Michaelmas.


To my northern hemisphere friends, best wishes for the start of term...

Harp and organ

Two windows from St Stephen's, Richmond.



28 September 2011

Music for Sunday 2 October

Readings for the week can be found here, and the psalm will be sung to Anglican chant.

Music at St George's and All Saints will be (mostly) the same.  The Kyrie will be taken from John Merbecke's setting, with a Gloria from Taize.  The rest of the service will be Philip Matthias's Christ Church Mass (Together in Song, 757).

Hymns are as follows:

Introit: Christ is the world's light [246]
Sequence: I danced in the morning when the world was begun [242]
Offertory: The God who set the stars in space [The link may take a minute or two to load]
Communion: In God alone my soul (Taize)

21 September 2011

Music for Sunday 25 September 2011

This week the parish is keeping St Michael and All Angels.  Readings can be found here, following the Roman options, and I posted the response to the psalm setting here.

The first part of the setting will be the Kyrie from John Merbecke's The Prayer Booke Noted, along with a Gloria from Taize.  The remainder of the setting will be Philip Mathias's Christ Church Mass [Together in Song, 757].  Hymns as follows:

Introit: Christ, the fair glory of the holy angels [tune: Christe Sanctorum -- TIS 246]
Sequence: Now to the Lord a noble song [113, tune: Melcombe -- TIS 213 ii]
Offertory: Crown him with many crowns [228]
Communion: Come let us join our cheerful songs [204]

There will be a communion anthem at St George's, and again at All Saints:
Angels ever bright and fair -- Georg Frederick Handel

19 September 2011

Something for a coming feast

St Michael and All Angels is coming up, and I haven't been able to find a suitable setting of the psalm for that day anywhere.

Here's a little gift for those in the same boat.  I composed this setting of the antiphon a couple of years ago, and it doesn't make me shift with embarrassment after all that time.

The images below are provided for anyone to use, so long as the composer is properly acknowledged.

Full music



Melody for pew sheet



As I didn't compose a tone for the verses (so much to do, so little time!), and because I don't want to get tied up with potential copyright difficulties, you'll have to source a tone in D major and point your own text.  I'd suggest using a tone from the St Meinrad Archabbey, and taking the text for Psalm 138.1-5(-6) from the Psalter of your choice.

15 September 2011

Music for Sunday 18 September 2011


This week the parish is keeping St Matthew.  Readings can be found here, and the psalm will be sung to Anglican chant.

The setting will be Philip Mathias's Christ Church Mass (Together in Song, 757), along with the Kyrie from John Merbecke's setting and a Gloria from Taize.  Hymns are as follows:

Introit: Your hand, O God, has guided [456]
Sequence: Master, speak, thy servant heareth [597]
Offertory: Dear Father, Lord of humankind [598]
Communion: Bless the Lord, my soul [706]

13 September 2011

Something I discovered on the way to the northern suburbs

Yesterday marked a bit of a threshold.  After six weeks of getting fed up with the capricious vagaries of real estate agents (ahem, property managers), then going through the turmoil of packing everything up and endless trips between dwellings to clear out the last bits, it's finally done.  The old apartment has been handed back to the landlord, after a frantic week of cleaning.

I lived along the Punt Road corridor in South Yarra for the last eleven years.  Having now become a northern suburbs local, there are a few things I've discovered.

The air is clearer.

There is less grime.  The fridge was a complete mess when it arrived at the new place: not so much whitegoods as greygoods.

It gets dark at night.  And quiet.  I've finally stopped having weird dreams after a week of dark, silent nights.

I have half of a functioning desk, after a fashion.  Working at it is a feat of gymnastic skill.

Sitting on a chair with castors takes considerable art in a house without carpet.  It's a bit like random dodgem cars.  As the boxes get cleared away there's less of a bumper zone behind the chair; I fully expect to have mastered breaking by the time the wall is the only thing left to hit.

Re-sorting my books is going to take a while.  My library falls into three broad categories, and the picture above shows the musicology section.  I did a lot of pre-sorting when I packed the books up, and now I'm organising things more firmly.  With any luck, I'll know where just about everything is when it's done.

Getting to and fro now requires planning.  Normally I'm very organised about leaving the house at a reasonable time to make it to the destination early, but the last week has been a complete shambles in that direction.

It still takes twenty minutes to get to the nearest freeway -- exactly the same time as it did in South Yarra, but covering roughly twice the distance.

Camping out of boxes is exhausting.  At the age of 12 it's an adventure, but twenty years later it gets very boring very quickly.

Mastering a new kitchen is a tedious process.  Once I've got the five essential base recipes working again I'll be able to go a little more experimental.  On the upside, there's a dishwasher (yay!).

Not having upstairs neighbours is....quiet.  It's surprising how you get used to hearing people walking around on the floor above.

Finding a decent local coffee shop will be a major project.  There is definitely a market opening for an interesting cafe to the north of Preston.

Tomorrow I have a morning free, and the sky promises to be clear.  Perhaps I'll get the bike out and start figuring out how to get to work.

06 September 2011

Music for Sunday 11 September 2011

This has been an unusually difficult week for which to choose hymns, given that the tenth anniversary of the attacks on the World Trade Centre in New York fall on the day.  Providentially, the priest at Jika Jika has decided to keep the Exaltation of the Holy Cross this week, which provides a few themes to move along.  There are a number of other initiatives around for the anniversary, including a page of resources on Text Week and Awareness Sunday publishes a variety of materials for liturgical use.

Readings for this week can be found here, following the Roman options, and the psalm will be sung to this setting.

The service setting will be Philip Matthias's Christ Church Mass, with a Taize setting replacing the Gloria at All Saints.

Hymns are as follows:

Introit: Lift high the Cross [351]
Sequence: In the cross of Christ I glory [349]
Offertory: God, we've known such grief and anger [tune: Cross of Jesus, 136]
Communion: And now, O Father, mindful of the love [519]

05 September 2011

A song for Julia Gillard

Why the current government allowed itself to be shanghied by the opposition's humanly and intellectually incoherent stance on refugees arriving by boat is a question that defies all explanation.  The finding from the High Court last week simply underlines the arid worldview that has led the Prime Minister to defy even her own party's policy platform, which clearly favors onshore administration of asylum claims.

So far, the best moment in the rather breathless slather of press coverage was Tony Abbott offering to help the government legislate the Opposition's policy into place.  If you ever needed proof that the Liberals are being led by a complete stranger to the world of reality (as commonly accepted), there you have it.  Attempting to enact party policy in a permanent way when out of government is quite bold, even if the government has ended up capitulating to it anyway.

It's all a bit baffling, like the plot of an opera buffa or a court maske.  Which leads me to a musical free association that occurred to me while walking down the street today.

Nobody knows precisely why Dido fades out in Purcell's magnificent opera, although she does it with undeniable style.  In the modern setting, she'd probably find another boy to get infatuated with and carry on carrying on while carping about the iniquities of the male race.  Or, maybe, as a head of government (Queen of Carthage, after all!) she'd work on social policy and get hefty on border protection while wafting rhetorical nothings about people who set their alarm clocks in order to be up and ready for work three hours before they go to bed.

Anyhow, here's the result of my free association game from this afternoon.